Benny Greb the Art and Science of Groove Free Download

A System To Develop Nifty Time Experience

The Art and Science of Groove will help all drummers find that most unique and undeniable feeling that is groove.

Back in the summer of 2014, Benny Greb launched a Crowdfunding campaign that proved to be one of the most successful (High german) campaigns e'er, with numbers in their thousands contributing, all clearly expressing their want to gain further insights from this magical thespian.

The campaign reached, so surpassed, its target in record time, assuasive Benny to generate a DVD that takes the drumming genre production levels to new heights, including on-screen special effects and illustrations for a fully enjoyable and inspirational experience. As Benny tells it, "I had a 'wish list' and a 'must-accept' list and the response from the Crowdfunding campaign allowed me to fully realise my ideas, and totally produce the DVD that I always wanted to nowadays to drummers world-broad."

The purpose of The Art and Science of Groove is to accept the techniques and exercises Benny presents, to gain positive and consistent results fourth dimension after time, thereby removing the 'luck' element when it comes to finding the sweet spot that is 'groove'. "I always was interested in this quality of groove and how we can change the emotional touch of what we play; it'due south all almost the menses. The exercises and tools that I present within The Art and Science of Groove are designed to put y'all back into the driver'southward seat."

The Five Elements
In The Art and Science of Groove, Benny introduces the five core elements of Time, Experience, Sound, Torso and Mind and then sets out to shatter sure myths most this elusive, often misunderstood subject field of groove, tackling each chemical element so that Benny'due south practical and entertaining approach tin can be used and enjoyed past drummers of all levels.

"I searched for the right elements, as they are the most valuable things that I could requite to people and I wanted to observe practical exercises that offered long-term solutions and changes. People have causeless that groove is a 'souvenir'. Groove is non a gift: information technology is a skill. Or, more than specifically, it is the result of a combination of skills." The Art and Scientific discipline of Groove DVD sets out to change many preconceived ideas and is intended to provide drummers with an emotional connection so that their playing becomes consistent each and every fourth dimension they perform.

Time
The commencement chemical element covers Time. Benny offers alternative approaches on how we view the space in between the 'big notes'. Every bit he explains, "With a metronome, the beats come where we expect them, but by employing the 'Gap click' and 'Moving click' concepts we tin train our alarm system to make appropriate adjustments, thereby condign much more than comfortable with all the subdivisions." Benny points out that there is ever then much more going on than just playing perfectly to the click and getting comfortable with the downbeat, as well every bit how of import information technology is not to consul the time to a machine, just rather to generate a solid and reliable groove of our own that is fully appropriate to the music, making the pulsate part sit inside the musical context.

Experience
The Feel affiliate shows Benny detailing his views on not what we play, but how we play, and how those qualities make the music feel. "The Feel chapter is actually about the concept of where does groove come from and how it has an effect and can work even without having perfect fourth dimension and yet the music still feels great! For educational purposes it was of import to become some exercises into the DVD that covered this, particularly to make usa think more than about the issue of what we play." Benny presents solutions that will let for intuitive playing, demonstrating them with the bassist Fran Itt, with on-screen graphics and effects that tin be viewed simultaneously as we savour the interplay betwixt the two musicians.

Sound
In Benny's view, sound is our medium to go beyond our playing. He points out that we have to have full responsibility for what we create in terms of sound. That means we grasp the fact that a remainder is not nothing and that by including rests within our fills, nosotros can add to the flow.

"I offering ideas that can be used where we don't have to count the time just use sound to help with timekeeping. I institute it very useful for myself to actually hear the space in between and get a consistent time, especially with super-tedious tempos. By listening closely and picking a point in the 'shape' of a decaying annotation for instance, that can guide you to where the next note should come and the fourth dimension then becomes super consistent."

Body
Benny crafted and honed the concepts used in this section during his drum camps working with students. Being aware of our body and how we can apply information technology to create flow is as important as how we hold the sticks! "I constitute that students could make aural breakthroughs by ideas frequently every bit simple as merely adjusting posture or beingness aware of our breathing to change the whole flow, making it reliable, consequent and non a matter of luck any more." Benny describes using air drumming every bit a ways to "getting it right from the start," pointing out that, "the song starts before the song starts." Past incorporating consistent motion into our playing, this assists with the groove we create. The Body element connects listening to our easily and feet and demonstrates how the emotion we strive to create is generated by motility.

Heed
"Your mind is where it all starts", explains Benny, equally this element is a very important part of our playing. The Heed chapter helps us to shift our focus to what we want to listen to past using mental images or an image that captures a sure emotion. "Often we tin can take our hands on auto-pilot and that's where our musicality is not at play any more. I wanted to become this chemical element into the DVD so that we consider what our expectation is of what nosotros desire to play, how it should sound and how it should feel."

The links in this concatenation can have a huge impact on what we create, and Benny admits that he came up with solutions due to his own frustration, finding that they worked for him and for the students he would teach at drum camps. "I wanted to add ideas and concepts that had not been available before and share those with drummers and make people be able to fully diagnose their playing by offering solutions and elements that can exist practical to everything that they practice."

This single high-density DVD offers a host of solutions and culling concepts that tin can help whatever drummer approach their playing with a whole new mindset and will be of bully benefit to players of all levels, as it will educators who seek an culling approach as part of a curriculum to guide their students to the art of creating a solid and reliable groove.

Bonus features include a "Making Of" department, which offers behind-the-scenes footage, and a full department on "Tuning" – how Benny gets his sound – a subject field that many of those who assisted with the crowdfunding campaign had asked to exist included. Again, Benny busts sure myths and preconceived ideas within the "Tuning" section, stripping it back to the very essentials.

Included are performances from Benny's Moving Parts trio, along with solo performances, making for compulsive and repeatedly enjoyable viewings. You can society the videohere.

Share this post